Monday, May 18, 2009

How To Dye. Lacrosse Head Blue

The thief of melodies (X)

Walking on the sand for hours, ignoring the remaining distance to go and the only company of a quiet giant of six feet and Mohican haircut can be a morbid monotony. I had arrived at the agreed time, with a book under his arm and a pen in his pocket. The sky was kept warm and the sun barely crept. But at noon we continued along the cliff. The sea was uniform along the wall and had lost all distinctive feature. I could not even know exactly how long we had been walking, then I had seized the giant clock as soon as I saw appear among surfers. He was very thirst, had reached a point where I simply shuffling, barely lifting and the sun, loud and clear in the center of heaven, I caused a growing headache. Despite my constant complaints, only received an answer from my mysterious companion, always ahead of me, and not even turning his head to answer me.

-Be patient.

When thirst, sore feet and head hit by the sun have become almost a habit, a small gap in the rock, after miles of cliff uniform can be an extraordinary revelation and exciting. I would not even noticed the small hole if not for the giant stopped for the first time all morning, and pointed with his finger. At first the crack was almost imperceptible, and could pass for a casual darkening of the rocks. Had to look very well for them. And it was necessary to have much faith to believe that a man could be crossed.

"From this moment you have an hour. Have your watch.
"One moment. It is impossible to enter. It is too narrow.
"Try not very difficult.
"I can get caught.
-Yourself. If you want, we leave. Moody

while growled and swore, I fit into the tiny hole and tried to pass. For a moment I seemed to be jammed down my chest for the rocks, but after a desperate effort I managed to fall into a larger space.

The light coming through the crack. Was inside the rock. It smelled musty and the echo transformed each of my steps in dozens more. I followed a narrow natural corridor and once at the bottom, right, I could make the rungs of a ladder ascending stone, very short and sloping. There was no other way out, so I started uploading them leaning on the wall convex shapes descalabrarĂ­an me if bumped.

After several minutes, I started to get scared. I had to find and in a very high relative to the crack through which he had entered, and the light had gone off until I was almost dark. While climbing, ensuring strong foot in the tiny steps, I could not understand how he was so naive, and why I had so easily in the hands of those types that such a moment could make me what I wanted. But my claustrophobia sent when I noticed that the stairs began to reflect light rays thin gradually became thicker. I can never

transmit the current of emotion that swept over me once on top, when I reached the entrance of the light coming from, so I will just describe as accurately as possible what appeared before me. First, the blue sky was occupied by all, and under the sea was quiet and caressed by a gentle wind. I approached the broken rock, which gave birth to the rest of the site and surroundings. The irregularity of outline indicating it had been opened as a result of natural evolution, or perhaps for those works already undertaken decades ago that I had spoken to the director of the guardians of the temple. I ducked because I felt dizzy, but in the sand many feet away, I spotted the giant figure of the Mohicans, sitting and facing the sea, very small from where I was.

Then I noticed the ground. From the moment you enter, my shoes were no longer touch the stone steps. All surface, a thin layer of sand was completely covered with bay leaves, which rose to the slightest movement. In fact, the air was perfumed with the laurel and the fresh and salt from the sea. It would have been a great pleasure to sit on the mantle of leaves and watch the sea from there, or close your eyes and go slowly falling asleep with the murmur of the sea and sheltered by the south wind.

I forced myself to think about what really was there. Although I saw it from the beginning, I'd been to be reserved for the end the feeling of having before me, finally, what I was looking for so many years. In the center of this room was a stone pulpit, facing the sea and surrounded by Doric columns that were born on the floor and the capitals of which seemed to naturally adhere to the rocky ceiling. I looked at my watch. He had already spent a quarter of an hour.

I got on the pulpit. In front of me had a glass screen covering a papyrus deployed and imposing, almost a meter wide and half as long. Was filled circles very small, each with a color and a musical note in classical Greek writing-sometimes two or even three-contained within. The circles communicated with each other, and were joined by straight lines of blue. In short, the picture was much more simple than I imagined countless times.

In fact, I understood the mechanism easily. Disappeared instantly any kind of fear that might have saved on my ability to decipher the scroll, despite my mastery of classical musical forms. Then fell in a trance from which I recovered three quarters of an hour later, when the time had completed and my notebook was full of notes. Before leaving the temple I last looked at the papyrus, and had not ceased to remember when returning by plane to Barcelona, \u200b\u200bexcited and anxious to get down to work.

had reviewed only a small part of the circumference of the papyrus. To use, simply start at one and make an arbitrary path for the rest, along the lines of the two companies, one after another. So is getting a tune. Instead, look for something more complex, you could follow a sequence of circles and then start a new one located beyond other circles. In this case the result would be a chorus to the bridge, ie ascending notes that culminate in the climax (the chorus) in a natural and balanced, or perhaps two melodies are linked. Although these differences did not matter too much. After all, everything could be reduced to the pleasure of the extraction of beauty.
During the return trip not only thought of the great record at hand, but figured again and again possessed the papyrus, which could have him forever, enjoy the music of the gods to lose reason, and then transcribe it in the form of pop songs that would become known to the world.
CONTINUE

Monday, May 4, 2009

Mysore Mallige Virus Free

The thief of melodies (IX)

went into the house and moving into a carpeted hallway. On one wall hung a picture, almost completely occupying, which showed a sea and something like a luminous ball. We climbed the stairs and reached the second floor.

All the windows were open. The floor, white tile, bright, picked up the last rays of the sun. We arrived at an office. The door was open.

-Between, "said my companion unknown and silent, before leaving.

Behind the table, a man with obvious overweight, gray-haired and wearing a short sleeve shirt with red stripes, I watched through his glasses excessive eccentric pasta model that occupied the half of the face. I was expecting, and seemed very calm. His hands on each other.

"Good morning, Mr. Alexander.
"Hello, how do you know my name? What am I doing here?
"You know very well what he does. Has spent years looking for the temple of Apollo and finally found it. No need to disguise, we know each of his movements and there is no room for doubt.

His voice was so slow and absent of any aggressive undertone that I stopped being tense. The window at the side of the room was open and let in air with the smell of pine fresh wind and salt and chlorine in swimming pools.

"I'll be as brief as possible, but there are some things you should know. First, I have to say that I speak on behalf of a company dedicated to save the temple of Apollo. At the moment, I am the director, though I can not say my name. We have many active years, thousands of centuries. Arguably manage the use made of papyrus. Understand that the magnitude of secrecy requires maximum discretion.

got up and started walking to either side of the table, hands clasped behind his back.

"As I said, do not cease for centuries in our surveillance activities, which includes both church detect seekers around the planet and keep its location secret and preserve the papyrus. Yet, until recently we did not watch anything really concrete. Previously, we knew roughly where the temple should be. In the early fifties someone carried out a series of works in the rock that you have seen this afternoon. Collapsed some rocks and, to the surprise of the workers, did the Temple of Apollo in ancient hiding. Immediately we ensure that the secret will not be shared, and we had to plan new strategies for surveillance.

He paused in front of the window, looking outside. Her back was to me, but kept talking.

"The temple remained intact. It seemed straight out of antiquity. And it included the papyrus, also perfectly preserved. All this caused within our organization many controversies. Ideas about very different types. Some were in favor of burning the papyrus. Others spoke of the need for disclosure was all mankind. We conclude that this source of superhuman beauty could not remain only in our hands. Was the only point we started to move away from the traditional roots of our society, which only refer to surveillance. Somehow, we wanted to leave benefit humanity. This is why you are now here. However, their mass reproduction could only lead to chaos and confusion. Suddenly lead to any the world to a new state of consciousness, with no progression and time to time, would create a risk of unexpected consequences for the human species
- What do you mean that I owe my presence here at this turning point?
-A finally opted for a compromise. Humankind would benefit from the discovery, but little by little, over the centuries. It would be possible to access the papyrus, but only those who would do what they were looking for. We know all the sources from which the classics tracks hid. We have developed enough to detect people who are handling this kind of issues and submit monitored until they are convinced they have discovered the secret.
- And then?

He sat back behind his desk.

"Then, this person deserves access to papyrus. But keep in mind that there are a number of restrictions.

opened a desk drawer, which removed a blue sheet with several points. I quickly became clear the rules of society:

1 - Do not disclose the secret.
2 - Do not exceed the time allowed.
3 - No access papyrus without permission.
4 - Respect the decisions of use of society.

"The first point is simple," he said. It is even common sense, because it understands that the less people know the secret, you'll benefit more than they can get. The second point is not too much trouble. You will be assigned a specific time of contact with the papyrus, and under no circumstances exceed it. The third is simple. And the last is indisputable. I mean, we decide to use you will make the papyrus: how long you can browse and times will return.
- Are limited? "On what basis to decide?
-In areas that we reserve. But keep in mind that we calculate everything and that decisions are never arbitrary. Simply put, if you say it will not be able to return, be limited to no return. Maybe with luck, over the years, be allowed access again.
- Used by many people?
"Since the fifties, a total of thirty people, including active, ie they can re-use, and inactive, which currently have no access again. Not everyone has taken advantage of the same, but I assure you the best musicians have passed through the temple.
- What?
-Understand that I can tell.

However, in my head and venture opportunities. Brian Wilson manipulated the papyrus and wrote the songs that become the most important author of pop. Arthur Lee appeared in the trial with a handful of songs formidable and justified it as an outburst of inspiration fostered by the presentiment of his own death. Burt Bacharach used to talk about musical complexity needed in a good composition, but limited themselves to interpret the codes extracted from the papyrus.

This man rose from his seat surprising agility for his size, and accompanied me to the office door.

"You should be tomorrow morning at ten in the same place on the beach where you have seen the guards.
- Baywatch? You mean all the surfers? Are they members of society?
"Yes." And another thing. I hope you know the classic musical notations.
"I am an expert.

He held out his hand.

"Wait, how long will it be?
-Lo you know tomorrow. Do not worry, and consider yourself lucky. Good afternoon.

Upon leaving the hall carpeting paid more attention to the box occupied by the wall. The luminous ball resting on a car with horses tied around it. The sea reflected the sky looked like the dawn, orange, red more vivid and the closer was on the ball. In one corner, lying on the sand, a man draw circular shapes on paper.

CONTINUE